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   Painting is a time machine. It creates a portal to the past and the future and gives identity to the present. It is an emotional and psychic recording of awareness. Painting cuts out a piece of time and releases it into the time stream.

  When I’m painting I am no longer aware of time, it exists outside of my awareness.

  Painting is a type of meditation. A prayer. When I paint I leave my self and the world to become one with the act of painting. The painting really must paint itself.

 I have always been obsessed with stopping time and maybe that’s what led me to being a painter.

 My work comes from my sensations. I try to express them truthfully. I want to show the mystery of beauty, not what’s popularly beautiful but the enigma of beauty. The awe of being in creation.

  I create characters that are allegories, not symbols. A symbol is a recognized sign, an allegory can be made of anything that stands in for something else.

  The characters I create are beings morphing into machines. Dysfunctional. Non-Aerodynamic. Absurd. They are projections from my subconscious mind. 

Exhibitions 

Solo

2014

“Scenes from Three Thousand Miles, New Paintings” Partners International, New York, NY

2012

"Dog Days of Acrobania" Casa Gallery, Santa Barbara, CA 

1984

“Wild Hopes” Independent Artists of Oklahoma, Oklahoma City, OK. Curated by Edgar Heap of Birds

Group

2019

"Made in March" Onetwentyeight Gallery, New York, NY

2016

“Half Mile, Bushwick Open Studios”  Rockwall Studios, Brooklyn, NY. Curated by Adina Luft

2013

Kentler International Drawing Center, Brooklyn, NY. Curated by Laura Phipps

1993

“The Independence Biennial, I, II, and III” - Summers of 1993, 1995, and 1997. El Bohio, East 9th Street, NYC. Curated by Drew Curtis, Vernon Bigman, and Molly White

1985

"Democracy At Work I and II" NYC and South Bronx, NY. Curated by Thom Corn

2019 paintings Drew20190716_0017.jpg
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